It is therefore possible to view the set device parameters, to monitor the measurement value and to display the device diagnostic simultaneously. Multiple windows can be opened simultaneously. In case of online operation colour code for identification of defective units and simulation operation. Graphic representation of all communication and device type managers in the tree structure. Representation of the system configuration The full licenses with the functionality quoted in the following can be ordered at Pepperl+Fuchs.īasic license already includes full license, no further licenses necessaryĪdministrator rights are required For installation in Windows. The software under these terms can be installed on more than one workstation simultaneously. The full license can only be activated by an individual license key number and transfers a basic version of software to a full version under the term of a full license. The basic license is delivered free of charge. The software remains a basic version after installation under the terms of a basic license that may have limited features. This version can also be obtained on CD-ROM from Pepperl+Fuchs. The Pepperl+Fuchs DTM-Collections can be downloaded separately or altogether in a version with basic license. German, English, French, Spanish, Russian can be selected the application-specific device type manager Microsoft Internet Explorer 4.0 or higher Microsoft Windows 7, Windows 8 or Windows 10 PACTware.ĭepending on the complexity of the project and the DTMs used, the memory requirement may be several times higher. * Note: DTMs do only work in conjunction with FDT frame application e.
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His versatility includes wooden flute, low whistles and uilleann pipes, to sound just right in a wide variety of settings making him a go-to contributor for many artists, including Vicente Amigo, Zac Brown Band, Xosé Manuel Budiño, Jerry Douglas, Julie Fowlis, Darrell Scott, Nolwenn Leroy, Tim O’Brien, Dirk Powell and Kate Rusby. Mike McGoldrick, from Manchester, England, is also a multi-instrumentalist and composer. “Mike is in a class of his own – it’s always a joy to share a stage or a studio (or a beer) with him.” (Mark Knopfler) “One of the greatest flute players in the world” (BBC Music) Having played previously for Dire Straits and Mark Knopfler, he’s back once more this time playing percussion on Mark’s latest Down The Road Wherever album and tour. “What…you want to play Conga?” “Oh you bet!”ĭanny continued following his passion as a professional, which led him to play in diverse genres for many high profile artists and bands. ‘Nothing else could ever reach me in quite that way and I knew it’. Aged 4, Danny remembers listening to Bob Dylan and The Beach Boys, with those wonderful harmonies played loudly at neighbour John Gilling’s house. Meanwhile his dad Bill, who was an operatic tenor, also worked in different spheres of the music world.ĭanny witnessed much of this. ‘Every generation will experience a revolution of some kind and as I grew up, it was youth culture, art and fashion, united in rebellion!’ Throughout his childhood and adolescence he was captivated by the music of the sixties. Danny Cummings: Percussionĭanny Cummings was born in Sheffield in 1957, where he lived in the district of Pitsmoor. Guy’s solo projects are all available on his website which continues to host the ever popular diaries from tour and studio since 2001. It was a natural progression that Guy would join Mark’s band, Dire Straits. Guy’s technical and musical abilities became essential to Mark, and the pair immediately started work on two film soundtracks, Cal and Comfort and Joy. Mark first met Guy in 1983, when Guy knocked on Mark’s door with a synthesiser under his arm. Yet it is with Mark Knopfler that Guy has been most involved, in particular as Producer and Engineer for Mark’s recent solo albums, film and musical projects. Guy has worked on stage and in studio with many world renowned artists such as Cockney Rebel, Tina Turner, Randy Newman, Dire Straits, Mick Jagger, Difford/Tillbrook, Roxy Music, Bill Wyman and Vicente Amigo as keyboard player, arranger and Musical Director. Guy Fletcher: Keyboards & Musical Director Roshiya.in does not accept responsibility for contents hosted on third party websites. All files or contents are hosted on third-party websites. 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All files or contents hosted on third party websites. Disclaimer:- KatmovieHD does not host any files on it's servers. The dispersion numbers in the FlightScope graphic are some of the smallest I’ve ever achieved. While the shots may have been consistently off of the center line, they were very tightly grouped. In my opinion, the “Off Line” number doesn’t really do justice to the Project X in this case. The launch was medium-high, and the spin was very manageable, especially when you consider I was hitting exclusively fades (with the exception of a couple pulls). The Project X shafts produced very consistent numbers for me across the board. That said, it’s still an apples-to-apples comparison, so no attempt has been made to “normalize” the numbers: we’re publishing the numbers straight off the FlightScope, as always. To greater or lesser extents, ball speed, and spin are all coming in lower than they did outdoors, hence the carry number is smaller. Uur FlightScope seems to be producing somewhat different numbers indoors compared to outdoors. Testing was done at Golf Nation in Palatine, IL, one of the best indoor golf facilities in the country. I hit 20 “good” shots with each shaft, changing frequently so that fatigue was not an issue, nor did I get grooved with one shaft to the detriment of fairness. The Tour Issue profiles can be found through select fitters and club builders or through some OEM custom order programs.įor the Performance testing, I hit each of the shafts in a Callaway RAZR Fit 10.5 head on a FlightScope X2 launch monitor. Project X graphite shafts carry an MSRP of $275 but can be found for around $150. Flex ranges from 5.0 to 7.0 on the Rifle scale When considering the standard and tour issue lines, weights of the Project X graphite shafts range from 60 to over 100 grams. With regard to looks, the Project X plays it safe with a solid blue color and minimal graphics. Players with more swing speed or more aggressive tempos may disagree and could find more difference from one flex to the next. I found this feel was very similar from 6.0 to 7.0. While not as smooth as a Matrix or Diamana, there’s nothing harsh about the Project X whatsoever. To me, the Project X feels most similar to the Nunchuk: a solid, “one-piece” feel with very little kick or torque. I will happily report that I was wrong to expect so little. I came into this review with very low expectations for the feel of Project X graphite. As you’ll see in this review, that would have been a HUGE mistake: the Project X graphite shafts are some of the most accurate and consistent I’ve ever tested. Because of this, I’ve never given too much thought to their graphite offerings. Despite being fit into them on a couple of occasions, I’ve never loved the feel of their iron shafts. Personally, I will admit to a bit of a bias against Project X. How many times have you let some preconceived idea or bias get in the way of playing the best equipment for your game? I think for many of us club-crazy golfers, the answer is “more times than I’d like to admit.” |
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